Because everyone was negatively affected by the recession, ’99 Homes’ is filled with tension and desparation that should resonate with most Americans.
The Force Awakens is first and foremost a film for Star Wars fans. Even the heroes themselves are fans, well-versed in the legends of Luke Skywalker and General Leia. With great performances from the new stars and a director who understands how to deliver a film worthy of its source material, The Force Awakens gives me hope that the new era of Star Wars films will live up to the original trilogy.
Suffragette is an important historical British period piece based on the struggles of the women’s movement in Britain during the mid-1800’s. Their struggle is real, but many of the characters are fictional. This doesn’t lessen the value of this film and it’s ongoing significance in the world we live in today.
I wish a documentary like Amy was shocking because we didn’t see talented people self-destruct on the regular, but sadly, Amy Winehouse’s story is all too commonplace. Unlike your average Behind the Music rock doc, Amy doesn’t flower things up for a made-for-TV package. Instead, it shows us the stark reality of such a talented person’s demise, and leaves us reflecting on why so many of our most talented entertainers meet a similar fate.
Rock the Kasbah is a movie with so much potential. It stars Bill Murray, features Zooey Deschanel, Bruce Willis, Kate Hudson, Scott Caan, and Danny McBride. Murray even promoted the movie by showing up at Comic Con for the first time to do a genuinely funny panel and answer fan questions. With all that going for it, it’s such a shame the movie misses the mark by a mile.
With smart writing, excellent visuals, and stellar performances, it was easy to get completely absorbed in Fargo, in part because it reminded me a lot of another one of my favorite binge-watching shows: Breaking Bad.
Great sci-fi films combine visual effects, plausible science, and engaging characters who feel like real people. It’s a difficult balancing act between explosions and action, math and engineering, and an engrossing emotional journey. This is why great sci-fi films are so few and far between, and why The Martian gives me hope that this kind of movie can exist in the effects-ridden landscape of current sci-fi and action movies.
The first CD I ever bought was Snoop Dogg’s “Doggystyle”, which was quickly followed by Dr. Dre’s “The Chronic”, and thus began my love of 1990s gangsta rap. I was a little too young to know the story of N.W.A., so naturally, I was beyond excited for Straight Outta Compton. Thankfully, the movie more than exceeds all my astronomical expectations.
I could review The Man from U.N.C.L.E. like a woman who studied film theory at a reputable university and who wrote a thesis paper on 1960s cinema. I could talk about Guy Ritchie’s trademark slick style, Hollywood’s onslaught of remakes and sequels, or even make an argument about how the spy genre has evolved along with political views from the Cold War to the War on Terror, or I could tell you the real reason it’s worth seeing this film: the off-the-charts handsomeness of Henry Cavill and Armie Hammer.