Director Venkatesh Maha’s ‘Rao Bahadur’ creatively explores themes of oppressive patriarchal legacy through magical realism and a stellar performance from Satyadev Kancharana.
‘Supergirl’ might be a mediocre movie, but it hardly marks the death of female superhero cinema, as some on the internet might claim.

Steven Spielberg brings his signature sense of wonder to Disclosure Day, along with John Williams’ score and Janusz Kaminski’s cinematography, but the sci-fi story doesn’t quite live up to the sum of its parts.

Kane Parsons becomes the latest (and youngest) in the YouTuber-to-horror-filmmaker pipeline with the A24 adaptation of his Backrooms liminal space series.
If you’re in the Venn diagram of people who watched old Nick at Nite and people who love the MCU, this refreshingly weird series is going to be right up your alley.
‘Wonder Woman 1984’ is the last hope for big, giant, comic book movies in 2020, but can this sequel satisfy fans?
Sofia Coppola stans might find ‘On the Rocks’ too mainstream and simple, but the chemistry between Bill Murray and Rashida Jones carries the story.
Apple’s streaming service is just over a year old and has given us a mixed bag of shows to watch, but despite a tepid initial run, Ted Lasso has convinced me to give Apple TV+ another chance.
FX’s What We Do in the Shadows is one of the rare TV shows adapted from a movie that actually lives up to the original. Here’s how this series defied the TV spinoff odds and became one of the best new comedies on TV.
True Blood was one of HBO’s biggest hits, but just six years after the final episode aired, it seems like nobody talks about it anymore. Why did the show go from sexy, campy classic to fizzled-out and forgotten?
Female-led comedies have moved away from aspirational shows like Friends or Sex and the City toward awkward, relatable shows like Hulu’s Shrill and Pen15.