Director Venkatesh Maha’s ‘Rao Bahadur’ creatively explores themes of oppressive patriarchal legacy through magical realism and a stellar performance from Satyadev Kancharana.
‘Supergirl’ might be a mediocre movie, but it hardly marks the death of female superhero cinema, as some on the internet might claim.

Steven Spielberg brings his signature sense of wonder to Disclosure Day, along with John Williams’ score and Janusz Kaminski’s cinematography, but the sci-fi story doesn’t quite live up to the sum of its parts.

Kane Parsons becomes the latest (and youngest) in the YouTuber-to-horror-filmmaker pipeline with the A24 adaptation of his Backrooms liminal space series.
Kuberaa tackles the corruption of obscene wealth with rich characters, vibrant visuals, and an absolutely stellar soundtrack.
The murderous doll is back in M3GAN 2.0, but this time, we’ve traded horror for comedy.
‘Materialists’ could feel like a very basic romcom, a cliche tale of choosing between love and luxury, but its cynicism gives it a refreshing perspective.
With The Phoenician Scheme, Wes Anderson gives us exactly what we expect from him: glorious visuals, quirky characters, and his trademark deadpan dialogue. But is that enough?
Tim Robinson is at his shouty, weirdo best in Friendship, a comedy about a man who gets a little too obsessed with his cool new pal, played by Paul Rudd.
In the heartwarming ‘Superboys of Malegaon’ a plucky group of outsiders come together to make a film for their community.
Andor season 2 brings us mature storytelling, well-developed characters, and an explicit political message, proving once again that this show is the best of Star Wars.