Director Venkatesh Maha’s ‘Rao Bahadur’ creatively explores themes of oppressive patriarchal legacy through magical realism and a stellar performance from Satyadev Kancharana.
‘Supergirl’ might be a mediocre movie, but it hardly marks the death of female superhero cinema, as some on the internet might claim.

Steven Spielberg brings his signature sense of wonder to Disclosure Day, along with John Williams’ score and Janusz Kaminski’s cinematography, but the sci-fi story doesn’t quite live up to the sum of its parts.

Kane Parsons becomes the latest (and youngest) in the YouTuber-to-horror-filmmaker pipeline with the A24 adaptation of his Backrooms liminal space series.
Sebastian Stan masters the mannerisms of the megalomaniacal former president, but ‘The Apprentice’ lacks perspective and a point.
Joker: Folie À Deux criticizes devotees of 2019’s Joker through courtroom drama and musical numbers. And if that sounds weird to you, you’re right.
A Different Man highlights the talents of Sebastian Stan and Adam Pearson but lacks some of the bite of films that tackled similar themes this year.
Alexis and Billy from Geek of Oz chat about the 1999 cinematic masterpiece The Mummy on the latest episode of the Whatcha Watchin podcast.
While there’s much fun to be had from the action sequences in Koratala Siva’s Jr. NTR starrer, Devara: Part 1, the story can feel a bit too convoluted and the romance subplot with Janhvi Kapoor brings the pace to a screeching halt.
Is Francis Ford Coppola’s Megalopolis the magnum opus of one of cinema’s great auteurs or the fever dream of an old man who is not used to hearing the word no? Well…it’s complicated.
In a combination of body horror, biting humor, and beautiful visuals, The Substance delivers one of the most unique viewing experiences of the year.
The new documentary ¡Casa Bonita Mi Amor! takes viewers inside Trey Parker and Matt Stone’s renovation nightmare and gives us a behind-the-scenes look at the South Park creators’ restoration of the iconic Denver Mexican restaurant.