
Every mindless scroll on your phone brings humanity closer to destruction, but a rag-tag group led by a weirdo from the future might just be our only hope in Gore Verbinski’s new sci-fi comedy ‘Good Luck, Have Fun, Don’t Die’.

With Send Help, Sam Raimi reminds us that he is a master at balancing horror and comedy, turning a simple scenario about a downtrodden employee (Rachel McAdams) stranded on an island with her horrible boss (Dylan O’Brien) into a delightfully tense, bloody, fun movie experience.

In Roofman, Channing Tatum is a thief on the run who takes up residence inside a Toys ‘R’ Us, but it’s the performances that really steal the show.

‘The Naked Gun’ is a legacy sequel matching the tone of the originals with the potential to breathe new life into a dying genre of comedy.

Tim Robinson is at his shouty, weirdo best in Friendship, a comedy about a man who gets a little too obsessed with his cool new pal, played by Paul Rudd.

Paul Rudd and Jenna Ortega lead the “eat the rich” story with a supernatural twist in Death of a Unicorn, but it’s Will Poulter and Anthony Carrigan who bring the humor.

This year’s Denver Film Critics Society nominations include a huge range of films from small indies to top-grossing blockbusters.

Amy Adams stars as a frustrated mom who turns into a dog in Marielle Heller’s ‘Nightbitch’. The premise is wild but the film occasionally lacks bite.

Anora, Sean Baker’s humorous, engaging, and emotional Cinderella story, could be one of the best movies of 2024.

Jason Reitman’s fast-paced, dialogue-dense ‘Saturday Night’ takes us back to a time when the half-century-old SNL was a revolutionary symbol of counterculture.