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Misguided Sympathies of Flowers is supposed to be about isolation. It’s supposed to be about how a mentally ill homeless woman deals with being alone. It’s supposed to be dramatic and disturbing. At least this is what the IMDB.com page for this short tells us director/writer Gregory Dyke was trying to get across to us.
Care directed by Erika Gronek was the one documentary piece I screened as part of the Celluloid in the Sun Showcase at the AZ Underground Film Fest and it was an interesting doc to say the least.
One of two animation shorts I saw at the Arizona Underground Film Festival was The Villikon Chronicles: Return to Mayhem. The three minute short, written by Bryan Kinnaird and directed by Rebecca Friedman, is just a very small segment in The Villikon Chronicles series created by Kinnaird.
This Christmas Ethan and Joel Coen, the award winning sibling directing and writing team behind such classics as No Country For Old Men and The Big Lebowski, take their first crack at the western genre with their adaptation of the Charles Portis novel, True Grit.
You ever wonder what’s in those huge underground tunnels you see around town? You know the ones. You can often find them under a bridge or overpass. I always thought they were bum tunnels. I was terrified to go in them. Sometimes, I’d step in and immediately retreat back on out. I never made it…
It’s bad luck to kill a coyote. It’s really bad luck to kill a coyote if you’re a college kid trespassing on sacred Native American soil with three of your college buddies. This is what writer/director Dave Surber shows us in his 15-minute short, Bloody Basin.
Ben Affleck is a lot like a mediocre basketball player who becomes a successful coach. He may not be able to dunk, but he can certainly create some winning plays. In The Town, he shows us that his skills as a writer and director can elevate the game of an often-ridiculed actor.
I’m sure that during the pitch meeting for Easy A, someone described it as Saved meets Mean Girls. It’s got the sexy-but-funny redheaded leading lady of Tina Fey’s witty high school flick and the self-righteous religious villains of the pre-Juno teen pregnancy comedy. It’s a recipe that can’t go wrong…most of the time.
Back in 2007 when Robert Rodriguez and Quentin Tarantino teamed up to release their films Planet Terror and Death Proof together as one package titled Grindhouse, they kept audience members entertained in between the two features with fake trailers directed by the likes of Eli Roth, Rob Zombie, Edgar Wright and Rodriguez himself. One particular…