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Despite a strong performance from Florence Pugh and stylish visuals, Don’t Worry Darling is a bit too ambitious for its own good, attempting a sharp social commentary about the role of women, but never fully realizing its own aspirations.
The Woman King could have easily been a simple story that felt a little too familiar. It could even fall into the cynical Hollywood fake empowerment category if the themes and characters didn’t hit just right. Instead, director Gina Prince-Bythewood’s film draws you in with incredible performances and gets you fully invested in every moment…
Thor: Love and Thunder struggles with the balance of humor and drama but still provides a lot of Marvel fun.
Despite director Sam Raimi’s dynamic style and stunning visuals, Doctor Strange in the Multiverse of Madness feels surprisingly inaccessible to casual MCU fans, though it will likely delight those who are well-versed in comic book lore.
Not since the days of The Last Jedi has a movie been this polarizing, but with Don’t Look Up, at least people are fighting about something real this time instead of lightsabers.
Simon Rex is the perfect charming dirtbag as ex-adult film star Mikey Saber in Sean Baker’s Red Rocket from A24.
The Last Duel might be about Matt Damon battling Adam Driver, but Jodie Comer emerges as the real victor in this lengthy but engaging film. TW: Sexual assault.
With fresh, dynamic fight scenes, Shang-Chi manages to break some new ground and avoid the pitfalls of more generic MCU entries, especially for an origin story this late in the game.
Annette is weird, it’s a musical, it’s over two hours long, and it features a marionette as a main character. It’s about as far from a Marvel movie as you can get.