
Steven Spielberg brings his signature sense of wonder to Disclosure Day, along with John Williams’ score and Janusz Kaminski’s cinematography, but the sci-fi story doesn’t quite live up to the sum of its parts.

Kane Parsons becomes the latest (and youngest) in the YouTuber-to-horror-filmmaker pipeline with the A24 adaptation of his Backrooms liminal space series.

Star Wars: The Mandalorian and Grogu brings our small-screen duo to cinemas with a standalone adventure that thankfully avoids empty fan service, but doesn’t quite hit the highs of the Skywalker saga.

‘Exit 8’ adds depth to a popular Japanese liminal space video game, creating an effective, surprisingly tense psychological horror film.

Robert Pattinson and Zendaya star in The Drama, Kristoffer Borgli’s jet-black comedy about a happily engaged couple whose love is put to the test after a shocking revelation during a party game.

Every mindless scroll on your phone brings humanity closer to destruction, but a rag-tag group led by a weirdo from the future might just be our only hope in Gore Verbinski’s new sci-fi comedy ‘Good Luck, Have Fun, Don’t Die’.

James Cameron’s ‘Avatar: Fire and Ash’ gives us some of the most spectacular visuals of the year, but maintains the saga’s simplified storytelling.

Timothée Chalamet delivers a captivating performance as a ping-pong player in relentless pursuit of greatness in Josh Safdie’s Marty Supreme.

Kaantha offers a noir-style murder mystery with layered characters, featuring strong performances from Dulquer Salmaan, Bhagyashri Borse, Samuthirakani, and Rana Daggubati, alongside some of the most stunning cinematography I’ve seen all year.

Fueled by a stellar performance from Rashmika Mandanna, The Girlfriend packs a punch, offering an important story about toxic relationships, self-discovery, and the healing power of female friendship.