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‘Back to Black’ suffers from the same issues as so many musician biopics: telling a true story and appeasing the estate that holds the music licensing rights.
Is Ryan Gosling charming enough to turn the action movie remake of a 1980s TV show into a successful film? The Fall Guy hopes the answer is yes.
It’s Bill Skarsgård vs the universe in Boy Kills World the new bloody, hyper-violent revenge comedy from first-time feature director Moritz Mohr.
Zendaya delivers a powerhouse performance in Luca Guadagnino’s sexy and captivating ‘Challengers’
Dev Patel’s directorial debut, ‘Monkey Man,’ is a revenge tale blending dynamic action with a poignant undercurrent of faith and class struggles.
Like mac and cheese, Ghostbusters: Frozen Empire is easy, kids like it, and it reminds adults of their childhood. But do we really want to have mac and cheese every day?
With twists and turns, absurdity, heart, and appearances from Pedro Pascal, Matt Damon, and Miley Cyrus, Drive-Away Dolls is the type of small, one-off comedy that you rarely see in multiplexes these days.
Madame Web has clunky exposition, awkward dialogue, mediocre action, and a very generic story. But it also has some of the most unintentionally hilarious line delivery and weird moments I’ve seen recently.
Bob Marley: One Love follows predictable biopic tropes, but Kingsley Ben-Adir’s portrayal of Marley and Lashana Lynch’s performance as Rita keeps it captivating.
Suncoast feels designed to pull at heartstrings, but thanks to Nico Parker’s strong lead performance, it proves to be an effective tear-jerker.