Make some room on your top 10 list because Paul Thomas Anderson’s One Battle After Another is a frantic, funny, and heartfelt father-daughter story that feels incredibly relevant in our current political climate.
We’ve seen cinematic universes, supernatural stories, and otherworldly action heroes a million times, but Dominic Arun’s Lokah: Chapter 1 – Chandra gives us a refreshing and meticulously-made take on the superhero genre.
Darren Aronofsky’s ‘Caught Stealing’ features quirky characters and an attempt to capture ‘After Hours’ vibes, but it ends up being like a grimier Guy Ritchie movie we’ve seen a hundred times.
Coolie was one of my most anticipated movies of 2025, but aside from the performances of Rajinikanth and the star-studded cast, director Lokesh Kanagaraj’s film quickly becomes a convoluted mess of wasted potential.
War 2 is an action-packed spectacle that unapologetically embraces its over-the-top nature. But can the formulaic YRF Spy Universe still be fun?
Writer-director Zach Cregger had a lot to live up to after his solo directorial debut, Barbarian. His second film, Weapons, gives us a tense mystery about missing children and a town coming unglued.
‘The Naked Gun’ is a legacy sequel matching the tone of the originals with the potential to breathe new life into a dying genre of comedy.
Comedy is tragedy plus time in writer-director-star Eva Victor’s hilarious and impactful ‘Sorry, Baby’.
Kuberaa tackles the corruption of obscene wealth with rich characters, vibrant visuals, and an absolutely stellar soundtrack.
The murderous doll is back in M3GAN 2.0, but this time, we’ve traded horror for comedy.