Star Wars: The Mandalorian and Grogu brings our small-screen duo to cinemas with a standalone adventure that thankfully avoids empty fan service, but doesn’t quite hit the highs of the Skywalker saga.

‘Exit 8’ adds depth to a popular Japanese liminal space video game, creating an effective, surprisingly tense psychological horror film.

Robert Pattinson and Zendaya star in The Drama, Kristoffer Borgli’s jet-black comedy about a happily engaged couple whose love is put to the test after a shocking revelation during a party game.

‘Project Hail Mary’ couples Ryan Gosling’s charm with a sci-fi sense of wonder for a story about the value of connection, cooperation, and compassion.
Tom Hardy and Jodie Comer are having a wild voice competition in ‘The Bikeriders’ but is the movie compelling?
Sasquatch Sunset is an 88-minute, dialogue-free film about Sasquatches featuring an unrecognizable Riley Keough and Jesse Eisenberg, and it’s one of the weirder films you might see this year.
Furiosa: A Mad Max Saga exceeds expectations with stellar performances by Anya Taylor-Joy and Chris Hemsworth, stunning visuals, and exceptional stunt work.
‘Back to Black’ suffers from the same issues as so many musician biopics: telling a true story and appeasing the estate that holds the music licensing rights.
In Mike Cheslik’s Hundreds of Beavers, a 19th-century applejack salesman battles beavers in a mashup of silent-era slapstick and Adult Swim humor.
Is Ryan Gosling charming enough to turn the action movie remake of a 1980s TV show into a successful film? The Fall Guy hopes the answer is yes.
It’s Bill Skarsgård vs the universe in Boy Kills World the new bloody, hyper-violent revenge comedy from first-time feature director Moritz Mohr.