Star Wars: The Mandalorian and Grogu brings our small-screen duo to cinemas with a standalone adventure that thankfully avoids empty fan service, but doesn’t quite hit the highs of the Skywalker saga.

‘Exit 8’ adds depth to a popular Japanese liminal space video game, creating an effective, surprisingly tense psychological horror film.

Robert Pattinson and Zendaya star in The Drama, Kristoffer Borgli’s jet-black comedy about a happily engaged couple whose love is put to the test after a shocking revelation during a party game.

‘Project Hail Mary’ couples Ryan Gosling’s charm with a sci-fi sense of wonder for a story about the value of connection, cooperation, and compassion.
War 2 is an action-packed spectacle that unapologetically embraces its over-the-top nature. But can the formulaic YRF Spy Universe still be fun?
Writer-director Zach Cregger had a lot to live up to after his solo directorial debut, Barbarian. His second film, Weapons, gives us a tense mystery about missing children and a town coming unglued.
‘The Naked Gun’ is a legacy sequel matching the tone of the originals with the potential to breathe new life into a dying genre of comedy.
Comedy is tragedy plus time in writer-director-star Eva Victor’s hilarious and impactful ‘Sorry, Baby’.
Kuberaa tackles the corruption of obscene wealth with rich characters, vibrant visuals, and an absolutely stellar soundtrack.
The murderous doll is back in M3GAN 2.0, but this time, we’ve traded horror for comedy.
‘Materialists’ could feel like a very basic romcom, a cliche tale of choosing between love and luxury, but its cynicism gives it a refreshing perspective.
With The Phoenician Scheme, Wes Anderson gives us exactly what we expect from him: glorious visuals, quirky characters, and his trademark deadpan dialogue. But is that enough?