Steven Spielberg brings his signature sense of wonder to Disclosure Day, along with John Williams’ score and Janusz Kaminski’s cinematography, but the sci-fi story doesn’t quite live up to the sum of its parts.
Kane Parsons becomes the latest (and youngest) in the YouTuber-to-horror-filmmaker pipeline with the A24 adaptation of his Backrooms liminal space series.

‘Exit 8’ adds depth to a popular Japanese liminal space video game, creating an effective, surprisingly tense psychological horror film.

Robert Pattinson and Zendaya star in The Drama, Kristoffer Borgli’s jet-black comedy about a happily engaged couple whose love is put to the test after a shocking revelation during a party game.

‘Project Hail Mary’ couples Ryan Gosling’s charm with a sci-fi sense of wonder for a story about the value of connection, cooperation, and compassion.
Nag Ashwin’s Prabhas starrer Kalki 2898 AD feels like the Avengers of Indian cinema but the film also works surprisingly well without prior knowledge.
Tom Hardy and Jodie Comer are having a wild voice competition in ‘The Bikeriders’ but is the movie compelling?
Sasquatch Sunset is an 88-minute, dialogue-free film about Sasquatches featuring an unrecognizable Riley Keough and Jesse Eisenberg, and it’s one of the weirder films you might see this year.
Furiosa: A Mad Max Saga exceeds expectations with stellar performances by Anya Taylor-Joy and Chris Hemsworth, stunning visuals, and exceptional stunt work.
‘Back to Black’ suffers from the same issues as so many musician biopics: telling a true story and appeasing the estate that holds the music licensing rights.
In Mike Cheslik’s Hundreds of Beavers, a 19th-century applejack salesman battles beavers in a mashup of silent-era slapstick and Adult Swim humor.