Handsome stars save ‘The Man From U.N.C.L.E.’
I could review The Man from U.N.C.L.E. like a woman who studied film theory at a reputable university and who wrote a thesis paper on 1960s cinema. I could talk about Guy Ritchie’s trademark slick style, Hollywood’s onslaught of remakes and sequels, or even make an argument about how the spy genre has evolved along with political views from the Cold War to the War on Terror, or I could tell you the real reason it’s worth seeing this film: the off-the-charts handsomeness of Henry Cavill and Armie Hammer.