
Steven Spielberg brings his signature sense of wonder to Disclosure Day, along with John Williams’ score and Janusz Kaminski’s cinematography, but the sci-fi story doesn’t quite live up to the sum of its parts.

Star Wars: The Mandalorian and Grogu brings our small-screen duo to cinemas with a standalone adventure that thankfully avoids empty fan service, but doesn’t quite hit the highs of the Skywalker saga.

‘Project Hail Mary’ couples Ryan Gosling’s charm with a sci-fi sense of wonder for a story about the value of connection, cooperation, and compassion.

Is Maggie Gyllenhaal’s ‘The Bride!’ a stylish feminist remix on a classic horror character, or is it ‘Joker: Folie à Deux’ by way of My Chemical Romance?

Every mindless scroll on your phone brings humanity closer to destruction, but a rag-tag group led by a weirdo from the future might just be our only hope in Gore Verbinski’s new sci-fi comedy ‘Good Luck, Have Fun, Don’t Die’.

Predator: Badlands offers up a PG-13 sci-fi buddy story that feels more like a Star Wars side quest than a continuation of the spine-ripping Predator universe.

Andor season 2 brings us mature storytelling, well-developed characters, and an explicit political message, proving once again that this show is the best of Star Wars.

With a standout performance from Robert Pattinson, director Bong Joon Ho’s Mickey 17 has great ideas at its core, but the bloated storylines and one-note political commentary prevent it from being worth the wait.

The votes are in and the 2024 Denver Film Critics Society winners have been chosen. From Dune: Part Two to The Substance to Challengers, here are the films Denver critics selected as the best of the year.

This year’s Denver Film Critics Society nominations include a huge range of films from small indies to top-grossing blockbusters.