Director Venkatesh Maha’s ‘Rao Bahadur’ creatively explores themes of oppressive patriarchal legacy through magical realism and a stellar performance from Satyadev Kancharana.
‘Supergirl’ might be a mediocre movie, but it hardly marks the death of female superhero cinema, as some on the internet might claim.

Steven Spielberg brings his signature sense of wonder to Disclosure Day, along with John Williams’ score and Janusz Kaminski’s cinematography, but the sci-fi story doesn’t quite live up to the sum of its parts.

Kane Parsons becomes the latest (and youngest) in the YouTuber-to-horror-filmmaker pipeline with the A24 adaptation of his Backrooms liminal space series.
Simon Rex is the perfect charming dirtbag as ex-adult film star Mikey Saber in Sean Baker’s Red Rocket from A24.
If you’re even a casual fan, The Beatles: Get Back will be more satisfying than your Thanksgiving meal.
The small holiday story risks being Hawk-blocked by the enormity of the MCU.
The Last Duel might be about Matt Damon battling Adam Driver, but Jodie Comer emerges as the real victor in this lengthy but engaging film. TW: Sexual assault.
With fresh, dynamic fight scenes, Shang-Chi manages to break some new ground and avoid the pitfalls of more generic MCU entries, especially for an origin story this late in the game.
As the MCU moves into a post-Infinity Saga world, Marvel is throwing all sorts of new stuff at us, particularly in the form of streaming shows on Disney Plus. Now we get an animated series that correctly assumes we’re all familiar enough with the characters of the MCU to wonder what would happen if they…
Annette is weird, it’s a musical, it’s over two hours long, and it features a marionette as a main character. It’s about as far from a Marvel movie as you can get.