Director Venkatesh Maha’s ‘Rao Bahadur’ creatively explores themes of oppressive patriarchal legacy through magical realism and a stellar performance from Satyadev Kancharana.
‘Supergirl’ might be a mediocre movie, but it hardly marks the death of female superhero cinema, as some on the internet might claim.

Steven Spielberg brings his signature sense of wonder to Disclosure Day, along with John Williams’ score and Janusz Kaminski’s cinematography, but the sci-fi story doesn’t quite live up to the sum of its parts.

Kane Parsons becomes the latest (and youngest) in the YouTuber-to-horror-filmmaker pipeline with the A24 adaptation of his Backrooms liminal space series.
At a little over two hours, Amsertdam feels like trying to binge-watch a 10-episode miniseries in an afternoon when none of the episodes are really hooking you and you’re resisting the urge to look at your phone the whole time.
Despite a strong performance from Florence Pugh and stylish visuals, Don’t Worry Darling is a bit too ambitious for its own good, attempting a sharp social commentary about the role of women, but never fully realizing its own aspirations.
The Woman King could have easily been a simple story that felt a little too familiar. It could even fall into the cynical Hollywood fake empowerment category if the themes and characters didn’t hit just right. Instead, director Gina Prince-Bythewood’s film draws you in with incredible performances and gets you fully invested in every moment…
Three Thousand Years of Longing, from director George Miller and starring Idris Elba and Tilda Swinton, is a visually stunning tale that celebrates storytelling and takes its time building its own narrative.
Thor: Love and Thunder struggles with the balance of humor and drama but still provides a lot of Marvel fun.
The Boys are back and more brutal than ever, but season 3 does feel a little like the show isn’t quite sure what it still has to say.
Despite director Sam Raimi’s dynamic style and stunning visuals, Doctor Strange in the Multiverse of Madness feels surprisingly inaccessible to casual MCU fans, though it will likely delight those who are well-versed in comic book lore.
Not since the days of The Last Jedi has a movie been this polarizing, but with Don’t Look Up, at least people are fighting about something real this time instead of lightsabers.