Director Venkatesh Maha’s ‘Rao Bahadur’ creatively explores themes of oppressive patriarchal legacy through magical realism and a stellar performance from Satyadev Kancharana.
‘Supergirl’ might be a mediocre movie, but it hardly marks the death of female superhero cinema, as some on the internet might claim.

Steven Spielberg brings his signature sense of wonder to Disclosure Day, along with John Williams’ score and Janusz Kaminski’s cinematography, but the sci-fi story doesn’t quite live up to the sum of its parts.

Kane Parsons becomes the latest (and youngest) in the YouTuber-to-horror-filmmaker pipeline with the A24 adaptation of his Backrooms liminal space series.
Maybe it’s superhero fatigue or the recent string of disappointing movies, but ‘Ant-Man And The Wasp: Quantumania’ feels like another day, another mediocre Marvel movie.
South Park is back for its 26th season and creators Trey Parker and Matt Stone continue their hilarious stories for Stan, Kyle, Cartman, and Kenny with the premiere episode, “Cupid Ye”. While the show may now be over a quarter century old, it’s fresh and as topical as ever.
Everything Everywhere All At Once cleans up in this year’s Denver Film Critics Society awards, taking home seven wins, including the top title.
If you loved “Naatu Naatu” and you’re ready to dip a toe into South Indian cinema, here are a few excellent movies like RRR to watch next.
What if the most annoying kid in your first-year film studies class wrote fanfic about the silent film era while on cocaine?
I never thought we’d get a Clue-like murder mystery comedy in today’s world of CGI explosions and quips, but Rian Johnson delivered a fantastic, quotable film with high rewatchability and solid laughs.
While Black Panther: Wakanda Forever lacks some of the finesse of top-tier Marvel, Namor shines as an engaging MCU villain, and powerhouse performances from the female cast members make it a solid MCU entry.