Director Venkatesh Maha’s ‘Rao Bahadur’ creatively explores themes of oppressive patriarchal legacy through magical realism and a stellar performance from Satyadev Kancharana.
‘Supergirl’ might be a mediocre movie, but it hardly marks the death of female superhero cinema, as some on the internet might claim.

Steven Spielberg brings his signature sense of wonder to Disclosure Day, along with John Williams’ score and Janusz Kaminski’s cinematography, but the sci-fi story doesn’t quite live up to the sum of its parts.

Kane Parsons becomes the latest (and youngest) in the YouTuber-to-horror-filmmaker pipeline with the A24 adaptation of his Backrooms liminal space series.
Fueled by a stellar performance from Rashmika Mandanna, The Girlfriend packs a punch, offering an important story about toxic relationships, self-discovery, and the healing power of female friendship.
Jennifer Lawrence brings vulnerability and intensity as a mother on the verge of a total breakdown opposite Robert Pattinson in ‘Die My Love’.
Predator: Badlands offers up a PG-13 sci-fi buddy story that feels more like a Star Wars side quest than a continuation of the spine-ripping Predator universe.
Films can often make us laugh or cry, but very few are able to execute the goal of making us feel quite as uncomfortable as If I Had Legs I’d Kick You.
Rishab Shetty blends cinematic spectacle with cultural folklore for a grand-scale prequel in ‘Kantara: Chapter 1’.
In Roofman, Channing Tatum is a thief on the run who takes up residence inside a Toys ‘R’ Us, but it’s the performances that really steal the show.
The Smashing Machine is a sports movie, a biopic, and an award-season movie that doesn’t want to fall into the expected tropes of those categories.