Director Venkatesh Maha’s ‘Rao Bahadur’ creatively explores themes of oppressive patriarchal legacy through magical realism and a stellar performance from Satyadev Kancharana.
‘Supergirl’ might be a mediocre movie, but it hardly marks the death of female superhero cinema, as some on the internet might claim.

Steven Spielberg brings his signature sense of wonder to Disclosure Day, along with John Williams’ score and Janusz Kaminski’s cinematography, but the sci-fi story doesn’t quite live up to the sum of its parts.

Kane Parsons becomes the latest (and youngest) in the YouTuber-to-horror-filmmaker pipeline with the A24 adaptation of his Backrooms liminal space series.
‘Project Hail Mary’ couples Ryan Gosling’s charm with a sci-fi sense of wonder for a story about the value of connection, cooperation, and compassion.
Is Maggie Gyllenhaal’s ‘The Bride!’ a stylish feminist remix on a classic horror character, or is it ‘Joker: Folie à Deux’ by way of My Chemical Romance?
Every mindless scroll on your phone brings humanity closer to destruction, but a rag-tag group led by a weirdo from the future might just be our only hope in Gore Verbinski’s new sci-fi comedy ‘Good Luck, Have Fun, Don’t Die’.
With Send Help, Sam Raimi reminds us that he is a master at balancing horror and comedy, turning a simple scenario about a downtrodden employee (Rachel McAdams) stranded on an island with her horrible boss (Dylan O’Brien) into a delightfully tense, bloody, fun movie experience.
From vampires to aliens, from Tollywood to Hollywood, from indies to blockbusters, here are the best movies of 2025.
James Cameron’s ‘Avatar: Fire and Ash’ gives us some of the most spectacular visuals of the year, but maintains the saga’s simplified storytelling.
Timothée Chalamet delivers a captivating performance as a ping-pong player in relentless pursuit of greatness in Josh Safdie’s Marty Supreme.
Kaantha offers a noir-style murder mystery with layered characters, featuring strong performances from Dulquer Salmaan, Bhagyashri Borse, Samuthirakani, and Rana Daggubati, alongside some of the most stunning cinematography I’ve seen all year.