Star Wars: The Mandalorian and Grogu brings our small-screen duo to cinemas with a standalone adventure that thankfully avoids empty fan service, but doesn’t quite hit the highs of the Skywalker saga.
‘Exit 8’ adds depth to a popular Japanese liminal space video game, creating an effective, surprisingly tense psychological horror film.

Robert Pattinson and Zendaya star in The Drama, Kristoffer Borgli’s jet-black comedy about a happily engaged couple whose love is put to the test after a shocking revelation during a party game.

‘Project Hail Mary’ couples Ryan Gosling’s charm with a sci-fi sense of wonder for a story about the value of connection, cooperation, and compassion.

With Send Help, Sam Raimi reminds us that he is a master at balancing horror and comedy, turning a simple scenario about a downtrodden employee (Rachel McAdams) stranded on an island with her horrible boss (Dylan O’Brien) into a delightfully tense, bloody, fun movie experience.
James Cameron’s ‘Avatar: Fire and Ash’ gives us some of the most spectacular visuals of the year, but maintains the saga’s simplified storytelling.
Timothée Chalamet delivers a captivating performance as a ping-pong player in relentless pursuit of greatness in Josh Safdie’s Marty Supreme.
Kaantha offers a noir-style murder mystery with layered characters, featuring strong performances from Dulquer Salmaan, Bhagyashri Borse, Samuthirakani, and Rana Daggubati, alongside some of the most stunning cinematography I’ve seen all year.
Fueled by a stellar performance from Rashmika Mandanna, The Girlfriend packs a punch, offering an important story about toxic relationships, self-discovery, and the healing power of female friendship.
Jennifer Lawrence brings vulnerability and intensity as a mother on the verge of a total breakdown opposite Robert Pattinson in ‘Die My Love’.
Predator: Badlands offers up a PG-13 sci-fi buddy story that feels more like a Star Wars side quest than a continuation of the spine-ripping Predator universe.
Films can often make us laugh or cry, but very few are able to execute the goal of making us feel quite as uncomfortable as If I Had Legs I’d Kick You.