Director Venkatesh Maha’s ‘Rao Bahadur’ creatively explores themes of oppressive patriarchal legacy through magical realism and a stellar performance from Satyadev Kancharana.
‘Supergirl’ might be a mediocre movie, but it hardly marks the death of female superhero cinema, as some on the internet might claim.

Steven Spielberg brings his signature sense of wonder to Disclosure Day, along with John Williams’ score and Janusz Kaminski’s cinematography, but the sci-fi story doesn’t quite live up to the sum of its parts.

Kane Parsons becomes the latest (and youngest) in the YouTuber-to-horror-filmmaker pipeline with the A24 adaptation of his Backrooms liminal space series.
The votes are in and the 2024 Denver Film Critics Society winners have been chosen. From Dune: Part Two to The Substance to Challengers, here are the films Denver critics selected as the best of the year.
This year’s Denver Film Critics Society nominations include a huge range of films from small indies to top-grossing blockbusters.
Game Changer, the new Shankar film starring Ram Charan can feel like too much and not enough at the same time, but there’s still some fun to be had with the music and maximalist style.
The Brutalist has been heralded by critics as the best film of 2024, but does this 3.5-hour epic live up to the awards hype, or is it a classic case of Oscar bait?
It’s not a flawless sequel, but with catchy music, a colorful visual style, and the undeniable charisma of Allu Arjun, Pushpa: The Rule is a blast.
Amy Adams stars as a frustrated mom who turns into a dog in Marielle Heller’s ‘Nightbitch’. The premise is wild but the film occasionally lacks bite.