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While Black Panther: Wakanda Forever lacks some of the finesse of top-tier Marvel, Namor shines as an engaging MCU villain, and powerhouse performances from the female cast members make it a solid MCU entry.
At a little over two hours, Amsertdam feels like trying to binge-watch a 10-episode miniseries in an afternoon when none of the episodes are really hooking you and you’re resisting the urge to look at your phone the whole time.
Despite a strong performance from Florence Pugh and stylish visuals, Don’t Worry Darling is a bit too ambitious for its own good, attempting a sharp social commentary about the role of women, but never fully realizing its own aspirations.
The Woman King could have easily been a simple story that felt a little too familiar. It could even fall into the cynical Hollywood fake empowerment category if the themes and characters didn’t hit just right. Instead, director Gina Prince-Bythewood’s film draws you in with incredible performances and gets you fully invested in every moment…
Three Thousand Years of Longing, from director George Miller and starring Idris Elba and Tilda Swinton, is a visually stunning tale that celebrates storytelling and takes its time building its own narrative.
Thor: Love and Thunder struggles with the balance of humor and drama but still provides a lot of Marvel fun.
Despite director Sam Raimi’s dynamic style and stunning visuals, Doctor Strange in the Multiverse of Madness feels surprisingly inaccessible to casual MCU fans, though it will likely delight those who are well-versed in comic book lore.
Not since the days of The Last Jedi has a movie been this polarizing, but with Don’t Look Up, at least people are fighting about something real this time instead of lightsabers.
Simon Rex is the perfect charming dirtbag as ex-adult film star Mikey Saber in Sean Baker’s Red Rocket from A24.
If you’re even a casual fan, The Beatles: Get Back will be more satisfying than your Thanksgiving meal.