Every mindless scroll on your phone brings humanity closer to destruction, but a rag-tag group led by a weirdo from the future might just be our only hope in Gore Verbinski’s new sci-fi comedy ‘Good Luck, Have Fun, Don’t Die’.
With Send Help, Sam Raimi reminds us that he is a master at balancing horror and comedy, turning a simple scenario about a downtrodden employee (Rachel McAdams) stranded on an island with her horrible boss (Dylan O’Brien) into a delightfully tense, bloody, fun movie experience.
From vampires to aliens, from Tollywood to Hollywood, from indies to blockbusters, here are the best movies of 2025.

Make some room on your top 10 list because Paul Thomas Anderson’s One Battle After Another is a frantic, funny, and heartfelt father-daughter story that feels incredibly relevant in our current political climate.

Comedy is tragedy plus time in writer-director-star Eva Victor’s hilarious and impactful ‘Sorry, Baby’.

Sinners is simultaneously a historical drama, a popcorn horror movie, and a musical, making it a unique film that delivers a truly enjoyable theatrical experience while also giving us storytelling with deeper themes and meaning.
Everything Everywhere All At Once cleans up in this year’s Denver Film Critics Society awards, taking home seven wins, including the top title.
If you loved “Naatu Naatu” and you’re ready to dip a toe into South Indian cinema, here are a few excellent movies like RRR to watch next.
What if the most annoying kid in your first-year film studies class wrote fanfic about the silent film era while on cocaine?
I never thought we’d get a Clue-like murder mystery comedy in today’s world of CGI explosions and quips, but Rian Johnson delivered a fantastic, quotable film with high rewatchability and solid laughs.
While Black Panther: Wakanda Forever lacks some of the finesse of top-tier Marvel, Namor shines as an engaging MCU villain, and powerhouse performances from the female cast members make it a solid MCU entry.
At a little over two hours, Amsertdam feels like trying to binge-watch a 10-episode miniseries in an afternoon when none of the episodes are really hooking you and you’re resisting the urge to look at your phone the whole time.
Despite a strong performance from Florence Pugh and stylish visuals, Don’t Worry Darling is a bit too ambitious for its own good, attempting a sharp social commentary about the role of women, but never fully realizing its own aspirations.