Every mindless scroll on your phone brings humanity closer to destruction, but a rag-tag group led by a weirdo from the future might just be our only hope in Gore Verbinski’s new sci-fi comedy ‘Good Luck, Have Fun, Don’t Die’.
With Send Help, Sam Raimi reminds us that he is a master at balancing horror and comedy, turning a simple scenario about a downtrodden employee (Rachel McAdams) stranded on an island with her horrible boss (Dylan O’Brien) into a delightfully tense, bloody, fun movie experience.
From vampires to aliens, from Tollywood to Hollywood, from indies to blockbusters, here are the best movies of 2025.

Make some room on your top 10 list because Paul Thomas Anderson’s One Battle After Another is a frantic, funny, and heartfelt father-daughter story that feels incredibly relevant in our current political climate.

Comedy is tragedy plus time in writer-director-star Eva Victor’s hilarious and impactful ‘Sorry, Baby’.

Sinners is simultaneously a historical drama, a popcorn horror movie, and a musical, making it a unique film that delivers a truly enjoyable theatrical experience while also giving us storytelling with deeper themes and meaning.
Director Payal Kapadia’s All We Imagine as Light delivers themes of friendship, sisterhood, connection, heartache, hope, and disappointment all delivered through outstanding performances and breathtaking visuals.
Jesse Eisenberg wrote, directed, and stars in ‘A Real Pain’, but make no mistake, this is Kieran Culkin’s movie.
Alexei Toliopoulos, one of my all-time favorite podcasters, joined me to chat about Sean Baker’s film Anora on the latest episode of the Whatcha Watchin podcast.
Anora, Sean Baker’s humorous, engaging, and emotional Cinderella story, could be one of the best movies of 2024.
Kt Baldasarro from MovieRuntime returns to chat about The Substance from director Coralie Fargeat and starring Demi Moore, Margaret Qualley, and Dennis Quaid.
Jason Reitman’s fast-paced, dialogue-dense ‘Saturday Night’ takes us back to a time when the half-century-old SNL was a revolutionary symbol of counterculture.
Sebastian Stan masters the mannerisms of the megalomaniacal former president, but ‘The Apprentice’ lacks perspective and a point.
Joker: Folie À Deux criticizes devotees of 2019’s Joker through courtroom drama and musical numbers. And if that sounds weird to you, you’re right.