
Rishab Shetty blends cinematic spectacle with cultural folklore for a grand-scale prequel in ‘Kantara: Chapter 1’.

In Roofman, Channing Tatum is a thief on the run who takes up residence inside a Toys ‘R’ Us, but it’s the performances that really steal the show.

Make some room on your top 10 list because Paul Thomas Anderson’s One Battle After Another is a frantic, funny, and heartfelt father-daughter story that feels incredibly relevant in our current political climate.

Darren Aronofsky’s ‘Caught Stealing’ features quirky characters and an attempt to capture ‘After Hours’ vibes, but it ends up being like a grimier Guy Ritchie movie we’ve seen a hundred times.

‘The Naked Gun’ is a legacy sequel matching the tone of the originals with the potential to breathe new life into a dying genre of comedy.

Comedy is tragedy plus time in writer-director-star Eva Victor’s hilarious and impactful ‘Sorry, Baby’.

The murderous doll is back in M3GAN 2.0, but this time, we’ve traded horror for comedy.

‘Materialists’ could feel like a very basic romcom, a cliche tale of choosing between love and luxury, but its cynicism gives it a refreshing perspective.

With The Phoenician Scheme, Wes Anderson gives us exactly what we expect from him: glorious visuals, quirky characters, and his trademark deadpan dialogue. But is that enough?

Tim Robinson is at his shouty, weirdo best in Friendship, a comedy about a man who gets a little too obsessed with his cool new pal, played by Paul Rudd.