Director Venkatesh Maha’s ‘Rao Bahadur’ creatively explores themes of oppressive patriarchal legacy through magical realism and a stellar performance from Satyadev Kancharana.
‘Supergirl’ might be a mediocre movie, but it hardly marks the death of female superhero cinema, as some on the internet might claim.

Steven Spielberg brings his signature sense of wonder to Disclosure Day, along with John Williams’ score and Janusz Kaminski’s cinematography, but the sci-fi story doesn’t quite live up to the sum of its parts.

Kane Parsons becomes the latest (and youngest) in the YouTuber-to-horror-filmmaker pipeline with the A24 adaptation of his Backrooms liminal space series.
The conversation around ‘Late Night With the Devil’ has centered on the ethics of AI art, but does the movie live up to previous hype?
‘Shayda’ is the story of an Iranian mother and daughter escaping abuse and making a fresh start, but it’s also a testament to the strength of moms.
Like mac and cheese, Ghostbusters: Frozen Empire is easy, kids like it, and it reminds adults of their childhood. But do we really want to have mac and cheese every day?
The documentary ‘Frida’ by Carla Gutierrez offers an intimate portrayal of Frida Kahlo by blending her words with animated paintings, providing insight into her inner world and artistic expression, beyond traditional archival footage and interviews.
With twists and turns, absurdity, heart, and appearances from Pedro Pascal, Matt Damon, and Miley Cyrus, Drive-Away Dolls is the type of small, one-off comedy that you rarely see in multiplexes these days.
Madame Web has clunky exposition, awkward dialogue, mediocre action, and a very generic story. But it also has some of the most unintentionally hilarious line delivery and weird moments I’ve seen recently.
Bob Marley: One Love follows predictable biopic tropes, but Kingsley Ben-Adir’s portrayal of Marley and Lashana Lynch’s performance as Rita keeps it captivating.