Director Venkatesh Maha’s ‘Rao Bahadur’ creatively explores themes of oppressive patriarchal legacy through magical realism and a stellar performance from Satyadev Kancharana.
‘Supergirl’ might be a mediocre movie, but it hardly marks the death of female superhero cinema, as some on the internet might claim.

Steven Spielberg brings his signature sense of wonder to Disclosure Day, along with John Williams’ score and Janusz Kaminski’s cinematography, but the sci-fi story doesn’t quite live up to the sum of its parts.

Kane Parsons becomes the latest (and youngest) in the YouTuber-to-horror-filmmaker pipeline with the A24 adaptation of his Backrooms liminal space series.
‘Back to Black’ suffers from the same issues as so many musician biopics: telling a true story and appeasing the estate that holds the music licensing rights.
In Mike Cheslik’s Hundreds of Beavers, a 19th-century applejack salesman battles beavers in a mashup of silent-era slapstick and Adult Swim humor.
Is Ryan Gosling charming enough to turn the action movie remake of a 1980s TV show into a successful film? The Fall Guy hopes the answer is yes.
It’s Bill Skarsgård vs the universe in Boy Kills World the new bloody, hyper-violent revenge comedy from first-time feature director Moritz Mohr.
Netflix’s new limited series Baby Reindeer is a raw, emotional, sometimes funny, sometimes terrifying, sometimes heart-wrenching story of obsession.
Zendaya delivers a powerhouse performance in Luca Guadagnino’s sexy and captivating ‘Challengers’
Dev Patel’s directorial debut, ‘Monkey Man,’ is a revenge tale blending dynamic action with a poignant undercurrent of faith and class struggles.
If you go see a movie called ‘Godzilla x Kong: The New Empire’ you want to see giant CGI monster action, and that’s precisely what you’re going to get.