Kaantha offers a noir-style murder mystery with layered characters, featuring strong performances from Dulquer Salmaan, Bhagyashri Borse, Samuthirakani, and Rana Daggubati, alongside some of the most stunning cinematography I’ve seen all year.
Fueled by a stellar performance from Rashmika Mandanna, The Girlfriend packs a punch, offering an important story about toxic relationships, self-discovery, and the healing power of female friendship.

Jennifer Lawrence brings vulnerability and intensity as a mother on the verge of a total breakdown opposite Robert Pattinson in ‘Die My Love’.

Make some room on your top 10 list because Paul Thomas Anderson’s One Battle After Another is a frantic, funny, and heartfelt father-daughter story that feels incredibly relevant in our current political climate.

We’ve seen cinematic universes, supernatural stories, and otherworldly action heroes a million times, but Dominic Arun’s Lokah: Chapter 1 – Chandra gives us a refreshing and meticulously-made take on the superhero genre.
If you go see a movie called ‘Godzilla x Kong: The New Empire’ you want to see giant CGI monster action, and that’s precisely what you’re going to get.
The conversation around ‘Late Night With the Devil’ has centered on the ethics of AI art, but does the movie live up to previous hype?
‘Shayda’ is the story of an Iranian mother and daughter escaping abuse and making a fresh start, but it’s also a testament to the strength of moms.
Like mac and cheese, Ghostbusters: Frozen Empire is easy, kids like it, and it reminds adults of their childhood. But do we really want to have mac and cheese every day?
The documentary ‘Frida’ by Carla Gutierrez offers an intimate portrayal of Frida Kahlo by blending her words with animated paintings, providing insight into her inner world and artistic expression, beyond traditional archival footage and interviews.
With twists and turns, absurdity, heart, and appearances from Pedro Pascal, Matt Damon, and Miley Cyrus, Drive-Away Dolls is the type of small, one-off comedy that you rarely see in multiplexes these days.
Madame Web has clunky exposition, awkward dialogue, mediocre action, and a very generic story. But it also has some of the most unintentionally hilarious line delivery and weird moments I’ve seen recently.