Director Venkatesh Maha’s ‘Rao Bahadur’ creatively explores themes of oppressive patriarchal legacy through magical realism and a stellar performance from Satyadev Kancharana.
‘Supergirl’ might be a mediocre movie, but it hardly marks the death of female superhero cinema, as some on the internet might claim.

Steven Spielberg brings his signature sense of wonder to Disclosure Day, along with John Williams’ score and Janusz Kaminski’s cinematography, but the sci-fi story doesn’t quite live up to the sum of its parts.

Kane Parsons becomes the latest (and youngest) in the YouTuber-to-horror-filmmaker pipeline with the A24 adaptation of his Backrooms liminal space series.
Alexis is joined by Billy from Geek of Oz to discuss the new Hindi film Kill, how sound amps up the impact of the violence, what could change in the upcoming Hollywood remake, and why this film stands out in the action genre.
Alexis is joined by Andrew Levins from the Hey Fam podcast to chat about Nag Ashwin’s Pan-Indian blockbuster Kalki 2898 AD and how it compares to movies like RRR and Baahubali from legendary Telugu director S.S. Rajamouli.
Nag Ashwin’s Prabhas starrer Kalki 2898 AD feels like the Avengers of Indian cinema but the film also works surprisingly well without prior knowledge.
Tom Hardy and Jodie Comer are having a wild voice competition in ‘The Bikeriders’ but is the movie compelling?
Sasquatch Sunset is an 88-minute, dialogue-free film about Sasquatches featuring an unrecognizable Riley Keough and Jesse Eisenberg, and it’s one of the weirder films you might see this year.
Furiosa: A Mad Max Saga exceeds expectations with stellar performances by Anya Taylor-Joy and Chris Hemsworth, stunning visuals, and exceptional stunt work.